香奈儿营销策略英文

Ⅰ 急求一篇 》》》描述一个公司的营销策略英文300字。

Market strategies are the result of a meticulous market analysis. A market analysis forces the entrepreneur to become familiar with all aspects of the market so that the target market can be defined and the company can be positioned in order to garner its share of sales. The promotion strategy in its most basic form is the controlled distribution of communication designed to sell your proct or service. In order to accomplish this, the promotion strategy encompasses every marketing tool utilized in the communication effort.
营销策略广泛，不能以一言以蔽之。此文中提到前期的市场分析，以及营销时应该利用各种工具。

Ⅱ zara的市场营销策略的英文文献

这些都是国外网站上的，没有中文翻译的，看不懂的话试试翻译器，查查字典什么的，我要是给你翻译怕误导你。

Zara: Cool Clothes Now, Not Later

Ask any urban European female under the age of 30 and chances are she has shopped at Zara, the clothier whose inexpensive but stylish offerings have attracted a cult following. Zara also sells men’s fashions, again aimed at the stylish and youthful.

Mathieu Soto, a college tennis player from France with dark eyes and devastating good looks, was asked to compare Zara to The Gap, the U.S. - based clothing giant with a major presence in Europe. His response: “I don’t know. I’ve never shopped at The Gap.”

Most U.S. young alts have never shopped at Zara, but that seems likely to change in the near future. In the past five years Zara has grown from 179 stores mostly in Spain to 450 stores in 29 countries including the United States and Canada. Zara now has stores in New York, New Jersey, Miami, and Toronto—with more on the way.

While Zara is unlikely to displace The Gap in the U.S. market, they are certain to offer U.S. consumers an option previously unavailable to them. They have a sound if unusual marketing strategy in which logistics plays an important role. Logistics also plays an important role in Zara’s growth plans, notably its expansion into the U.S. market.

Zara’s Marketing Strategy

Zara’s marketing strategy focuses on proct variety, speed-to-market, and store location. It is also notable for what it excludes. Zara does not advertise in the traditional sense. If you want to find out what’s currently available at the Zara stores you have two options: go to the web site or go to the store. Zara puts 10,000 different items on the store shelves in a single year. It can take a new style from concept to store shelf in 10-14 days in an instry where nine months is the norm. In its primary European markets, Zara locates its stores close together. Visitors comment that Zara in Madrid is like Starbucks in a major U.S. city—you see another store on every street corner.

Zara’s Toronto store is located just north of the center of downtown in a major shopping district dense with malls and lined with stand-alone stores and giant office buildings. The potential for intense competition is clear.

“These office buildings are full of the people we want as customers. We want them to stop in at lunch or after work. We want to see them often, so we have to change what we have on the shelves,” said Zara’s Toronto store manager. “They could shop in a lot of other stores, so we have to make it worth their time to come here.”

This also helps explain why the company does not advertise. If a Zara customer wants to know what Zara has, he or she must go to the store. The stock changes often, with most items staying on the shelf for only a month, so the customer often finds something new and appealing. By the same token, if the customer finds nothing to buy this visit, the store’s regular customers know that tomorrow or next week—sometime soon—new goods will be on Zara’s shelves. That makes it worth another visit.

Zara relies heavily on store employees for market information. If a customer looks at a sweater and comments, “That would look really nice with a cowl collar,” an employee can relay that information to Spain where managers decide whether or not to proce the suggested item. If they decide to make it, they can put it on the shelf in Toronto in two weeks or less, partly because they ship by air. Ocean shipping would add at least another ten days to the time it takes to get the proct in front of the customer, undermining the speed-to-market and proct variety strategy.

The Role of Logistics
Putting the variety of goods on the shelves in Toronto and other North American stores requires an unusual, though not unique, logistics strategy for the fashion instry. Zara air expresses goods from its single distribution center in Spain, usually in small quantities. In the 1970’s, The Limited used a similar strategy to support its test marketing, air expressing small quantities of new styles from Asia to U.S. stores. In Zara’s strategy, however, the speedy shipments are part of the core strategy, not just test marketing. Zara also ships frequently, allowing lower inventories while serving its multinational market from a single distribution center in Spain.

“We receive shipments o n Tuesday and Saturday, which means that we have different items in the store at least twice a week. While each shipment replenishes items that sell well, each also includes new items. That’s why our customers come in often,” the Toronto store manager said. “We might get ten of one item and five of another. We’re constantly testing.”

The density of Zara’s store locations in Europe helps achieve logistics efficiencies. They can fill trucks for frequent shipment in markets close to proction and ship larger quantities by air to more distant stores. Zara keeps transportation costs low on the supply side, since most of the proction takes place in Spain. This contrasts radically to most large fashion manufacturers, which rely on low cost manufacturing in Asia and South America, but then pay higher inventory costs and move goods to market more slowly.

The air express strategy also allows Zara to maintain a multinational market presence with only one distribution center. They trade higher transportation costs for lower warehousing and inventory costs. Add to this the idea that fast transportation
supports the proct-innovation strategy that is the heart of Zara’s marketing, and the importance of logistics in Zara’s marketing strategy is clear.

The Results and the Future

Zara’s parent company, Inditex, reached $2.7 billion in 2001 revenue. This made it the fastest growing clothing manufacturer in the world. Zara, Inditex’s fastest growing division, turns its inventory twice as fast as major competitors, with an inventory-to-sales of 7% compared to an instry average of 14%. Their profitability in European operations (15%) is fifty percent higher than that of its major competitors. Zara manufactures 80% of its clothing in Europe, with most of the remaining 20% is sourced in Mexico.

While top managers are understandably closed-mouthed about their plans, Zara seems ideally positioned to penetrate the U.S. market in a major way. With some manufacturing already in Mexico, they could easily open a second distribution center aimed directly at the U.S. market. This would make their youth-oriented styles widely available in the world’s most lucrative market.

Question 1 – Zara’s Business Model and Competitive Analysis

Zara, the most profitable brand of Inditex SA, the Spanish clothing retail group, opened its first store in 1975 in La Coruña, Spain; a city which eventually became the central headquarters for Zara’s global operations. Since then they have expanded operations into 45 countries with 531 stores located in the most important shopping districts of more than 400 cities in Europe, the Americas, Asia and Africa. Throughout this expansion Zara has remained focused on its core fashion philosophy that creativity and quality design together with a rapid response to market demands will yield profitable results. In order to realized these results Zara developed a business model that incorporated the following three goals for operations: develop a system the requires short lead times, decrease quantities proced to decrease inventory risk, and increase the number of available styles and/or choice. These goals helped to formulate a unique value proposition: to combine moderate prices with the ability to offer new clothing styles faster than its competitors. These three goals helped to shape Zara’s current business model.

Zara’s Business Model
Zara’s business model can be broken down into three basic components: concept, capabilities, and value drivers. Zara’s fundamental concept is to maintain design, proction, and distribution processes that will enable Zara to respond quickly to shifts in consumer demands. José María Castellano, CEO of Inditex stated that "the fashion world is in constant flux and is driven not by supply but by customer demand. We need to give consumers what they want, and if I go to South America or Asia to make clothes, I simply can't move fast enough." This highlights the importance of this quick response time to Zara’s operations.

Capabilities of Zara, or the required resources needed to exploit the opportunities and execute this conceptual strategy, are numerous for Zara. Zara maintains tight control over their proction processes keeping design and manufacturing in-house or with some strategic partnerships located nearby Headquarters. Currently, Zara maintains 80% of its proction processes in Europe, 50% in Spain which is very close to La Coruña headquarters. They have strategic agreements with local manufacturers that ensure timely delivery and service. Through these strategic partnerships and the benefits brought by this proximity of manufacturing and operational processes, Zara maintains the flexibility necessary to design and proce over 12000 new items annually. This capability allows Zara to achieve their strategy of expedited response to consumer demand.

Value drivers for Zara are both tangible and intangible in the benefits that are returned to all stakeholders. Tangibly, Inditex, the parent company of Zara, has 11.02% net margin on operations and their market capitalization (Equity – market value) is

Ⅲ 香奈尔的营销战略

香奈儿作为奢侈品，其成功在于近百年的专注、坚持和创新。香奈儿的目标客户是优雅、有消费能力的时尚女性。因为客户聚焦，客户集中，在营销方面，香奈儿就更侧重引领时尚，借助时尚引领消费人群口碑。

(3)香奈儿营销策略英文扩展阅读：

营销战略目的：

1、推销是一对一的，营销是一对多的；

2、推销就是把产品卖好，营销是让产品好卖。

目的：顾客不买的时候会记得你，要买的时候想起你。一句话就是：“建立起客户对你的产品认识”。让顾客熟悉你，这就是为什么这么多的广告在拼命的播、拼命的砸钱。也许有人会问砸钱也没有人买呀，其实不是，这是一种建立客户认识的过程，让产品变得好卖的一个过程。

营销理论上主要有四种营销竞争策略：

1、直接与竞争对手竞争；这种策略主要适用于本企业具备较强的竞争实力，行业中企业实力相当或本企业实力上略占优势的情况，对于企业的要求当然也很高；

2、使竞争对手难以反击；即采用一些措施、手段是竞争对手还来不及做出反应就处于失败或被动、劣势的地位，对于企业的策略，创新性，技术性等要求都很高，现实中可行性也有待考虑；

3、不战而胜的竞争策略；主要是采用一些迫使对方投降、让步的策略方式，采取一些竞争手段，逼迫对方作出退出该领域或行业的手段来，要根据行业特点和具体情况而定；

4、与竞争对手合作的策略。这种方式比较可行，对于实力相当而求得共同发展的企业来说都是一剂良药，既可以求得双赢，又能增进合作，实现企业盈利。

Ⅳ Chanel英文介绍

姓名及一产生: 综合介绍
The House of Chanel, more commonly known as Chanel, is a Parisian fashion house in France founded by Coco Chanel (b.1883 - d.1971). According to Forbes, the privately held House of Chanel is jointly owned by Alain Wertheimer and Gerard Wertheimer who are the grandchildren of the early (1924) Chanel partner Pierre Wertheimer.

Chanel历史:
Chanel (pronounced Shanel) revolutionized haute couture fashion by replacing the traditional corseted silhouette with the comfort of simple suits and long, lean dresses. She introced to the world her signature cardigan jacket in 1925. She had numerous other major successes that changed the fashion instry including the ever popular "'Chanel suit'", composed of a knee-length skirt and trim, boxy jacket, traditionally made of woven wool with black sewing trim and gold buttons, worn with large costume-pearl necklaces. The hem of the suit is weighted down with a chain. Wealthy women around the world began to flock to her 31 Rue Cambon boutique to commission couture outfits from her. The House of Chanel became an icon of elegance and from then on, the name “Chanel” became synonymous with elegance, wealth, and elitism, as well as the ultimate sign of French high class.

After the phenomenal success of her perfume, No. 5, Coco Chanel's fashions became even more well-known and were purchased by the high flyers of London and Paris society alike. Chanel took to living at the Hôtel Ritz Paris, and her suite of residence has become famous and is now named the "Coco Chanel Suite."

Chanel is also known for its quilted fabric which also has a "secret" quilting pattern sewn at the back to keep the material strong. It was inspired by the jackets of jockeys. This material is used for clothing and accessories alike. The brand is now headed by German-born designer Karl Lagerfeld, who also designs for the House of Fendi, as well as his namesake label.

更多历史:
The Coco Chanel Era
Coco Chanel, founder of the House of Chanel, began her fashion career in 1910. She heralded new designs and revolutionized the fashion instry by going “back to basics,” incorporating elegance, class, and originality. Under her tight reign from 1909-1971, Coco Chanel held the title as ‘Chief Designer’ until her death on January 10, 1971.

[edit] 1909-1932
In 1909, Chanel opened a millinery shop, under the name of ‘Chanel Modes’, at 21 Rue Cambon in Paris. Her hats were worn by famous French actresses who helped establish her reputation. Chanel introced in 1913 women’s sportswear at her new boutique in Deauville, France. Her line of jersey clothing was a reaction to the lifestyle changes surrounding WWI. Coal was scarce and women were taking on factory jobs in the men's stead. They needed warm clothing that would stand up to working conditions. Her clothes of this time period were also greatly affected by the relatively new idea of women's sports. Chanel has continued in that trend, procing sports clothing, accessories, and equipment even more so today.

Her fashion became known in 1915 throughout France for prioritising freedom of movement by not featuring ostentation and rendancy in her designs. She affirmed the House’s style of authentic, fluid and comfortable lines. She then opened her first couture house in Biarritz, France, to introce her other fashion lines.

Chanel Headquarters, Place Vendôme, Paris.1921 saw the introction of her first perfume Chanel No. 5. It was internationally popular with women of high society in particular. “La Société des Parfums Chanel" was founded in 1924 to proce and sell perfumes and beauty procts. Reportedly, the signature scent was a result of her belief in superstitions. She was scheled to show her collection on the fifth day of the fifth month. [1]

The first Chanel costume jewelery collection was introced in 1924. Harper’s Bazaar described it as “one of the most revolutionary designs of our time.”[citation needed]

In 1926, Chanel introced the ‘little black dress,’ greeted by Vogue as the ‘new uniform of the modern woman.’ That same year, Chanel introced the classic tweed. Inspired by visits to Scotland with the Duke of Westminster, Chanel created her first tweed suits.

Chanel premiered an exhibition of jewelery in 1932 dedicated to the diamond. Several of the pieces, including the ‘Comet’ and ‘Fountain’ necklaces were re-introced by Chanel in 1993.

[edit] 1935-1981
In 1939, she retired from fashion design and closed her popular couture house. Only her perfumes and accessories were sold at Chanel’s boutiques.

Coming out of fashion retirement at the age of 71, Chanel re-opened the couture house in 1954. Her first show received international acclaim, with her signature jersey suit being introced that bore her favourite number: 5. In February 1955, Chanel introced the quilted bag with the shoulder strap, named the 2.55 bag after the month and year of its creation. That same year, Chanel launched her first eau de toilette for men, Pour Monsieur.

In 1957 at the Fashion Awards in Dallas, Chanel and her spring collection received the Fashion Oscar. The fashion world applauded her as the ‘most influential designer of the twentieth century.’

On January 10, 1971, Coco Chanel died, ending an era of revolutionary fashion that would still be the classic model fashion designers today find inspiration in.

However, her influence did not pass with her death. Other posthumous projects came to light a few years later. In 1974, the House of Chanel launched Cristalle eau de toilette, which was in the workings when Coco Chanel was alive. 1978 saw the launch of the first non-couture, prêt-à-porter line and worldwide distribution of accessories. In 1981, Chanel launched a new eau de toilette for men, Antaeus.

商标样式分析以及含义:
The Chanel logotype is an interlocking double-C, one facing forwards the other facing backwards. (Originally it was not a logo that Coco Chanel came up with) This derives from the name Coco Chanel. "Coco" is the nickname frequently used by Chanel founder, Gabrielle Chanel. The logotype was not trade-marked until ring the first openings of Chanel stores.

Chanel is currently dealing with illegal use of the double-C logotype on cheaper goods, especially counterfeit handbags. Countries said to be procing great numbers of counterfeit Chanel handbags are Vietnam, Thailand, and China. An authentic Chanel handbag retails from around $1,500, while a counterfeit usually costs around $100, creating a demand for the signature style at a cheaper price. All authentic Chanel handbags are serialised.

Chanel手表:
Creative Director at Chanel Jacques Helleu followed Coco Chanel's credo, having designed the first Chanel watch named 'Premiere' in 1987. The first model of the Chanel J12 watches line was introced in 2000.

In 2005, Chanel designers introced the J12 line into the area of Fine Jewelry timepieces - they developed the jewelry watch that was equipped with the tourbillon. Chanel asked experienced Swiss watchmakers to develop the exclusive 'CHANEL O5-T.1' movement.

In 2006, the line was joined by Chanel J12 Haute Joaillerie set with 597 baguette-cut diamonds, followed by the creation of the Chanel J12 Tourbillon Haute Joaillerie. In 2007, Chanel launched its first J12 GMT model.

In 2008, Chanel initiated the partnership with Audemars Piguet, having developed the 'J12 calibre 3125', equipped with an innovative automatic movement - CHANEL AP - 3125, the fusion of the AP 3120 movement and Chanel 'J12' ceramic.[2]

Ⅳ 求关于香奈儿香水的国际营销策略文章一篇．

在奢侈品的销售过程中，欧洲经典品牌劳力士、比利时珠宝品牌TESIRO通灵、CHANEL香奈儿如何在终端运用情景营销（Scene Marketing）策略呢？

设计不同场景

在实际的营销过程中，欧洲奢侈品牌的销售人员一般会通过询问，了解顾客购买产品的原因，并分析各类产品对主体消费者而言意味着什么。再从这些出发点根据顾客的实际需要进行场景描绘。

对奢侈品品牌而言，在顾客到来前，他们已经清晰地分析出这些物品对主体消费者的诱因是什么。（如下表）

“场景描绘”即是从这些点出发进行传递的。销售人员一般使用以下三个句型，“您有没有感觉到/您看……”“当……时候……”“……像……一样”，这些场景的设计一般和符合消费者身份的某个场景紧密相连。

在比利时珠宝品牌TESIRO通灵店内，购买钻饰的年轻夫妇会听到类似的情景描述：“您看，这枚TESIRO通灵的戒指来自钻石王国比利时，它款式简洁，两股线条缠绕于指尖，您有没有感觉到它非常适合您的手型？”“当您和朋友在一起的时候，欧洲经典钻石品牌可以衬托出您身上的高贵气质和不凡的品位，让您备受瞩目，更重要的是，它是你们美满未来的永恒信物。”而来购买钻饰的男士，销售人员则会介绍：“您看，这枚欧洲经典品牌的钻戒，和您的身份和地位正吻合，拥有它就是您事业成功的象征”等等。已婚女性，在这听到的情景描绘又会有很大的不同，通常和家庭美满、对浪漫时光的重温等有关。

同样，ROLEX劳力士和CHANEL香奈儿的消费者，因其身份不同，听到的情景描述也相差很大。购买ROLEX劳力士的年轻男士可能会被告知：“专业、精准是ROLEX劳力士的追求，当您戴上它到公司的时候，可以体现出您能够掌控每一分钟的专业素质。”中年男士常会听到“ROLEX劳力士是成功人士的象征，当您戴上ROLEX劳力士出席会议的时候，自然会散发出王者的气息，让人倾慕不已。”

针对年轻女性，CHANEL香奈儿的销售人员会从追求简洁、精美、突破传统、追求个性的角度来设计场景，例如：“当您在周末舞会中翩翩起舞的时候，CHANEL香奈儿会让您展现出唯美、个性十足的一面”。而对已婚女性而言，他们销售人员设计的场景中则会有更多的关于“激情，绝对女性的”的内涵。

激发想像力

在情景营销（Scene Marketing）中，仅仅掌握好语言的表达方式还远远不够，更重要的是，销售人员还需要把售卖的奢侈品和顾客的需求有机地联系起来，并想像出一幅有趣的、具体的、能打动人心的图画。然后把这幅图画像放电影一样有声有色地描绘给你的顾客听。在“放电影”之前，销售人员首先需要做好消费者的消费动因分析工作，然后把握好顾客进店、介绍产品、深入沟通、顾客离开等四个主要的时机，才能最大限度的发挥情境营销的效用。

1.当顾客进入店内，有产品吸引住他们的目光时，销售人员应该把顾客和产品有机地联系起来，激发顾客的想像力。例如，在比利时珠宝品牌TESIRO通灵的专卖店内，他们的销售人员会这样告诉顾客：“TESIRO通灵饰品由全球顶级的意大利时尚设计师设计，您看到的这枚钻石吊坠秉承国际最新的设计理念，您戴在胸前会显得时尚、妩媚动人。”而在CHANEL香奈儿，顾客则会听到类似的描述：“CHANEL香奈儿香水充满了现代气息，可以让像您这样的女士散发出迷人的魅力。”

2.在介绍产品时，销售人员开始重点介绍产品的品牌价值，让消费者对这个品牌产生直观、深入的了解。例如：“TESIRO通灵是比利时钻石品牌，您在参加PATY活动的时候佩戴这枚钻饰，将使您充满高贵与优雅的气息，国际品牌将使您更加自信。”ROLEX劳力士的销售人员则会如此介绍：“劳力士拥有超卓的工艺与技术，一直保持在手表业的翘楚地位。您拥有它，就等于在商务活动中拥有了一件代表实力的身份证明。”

3.与顾客深入沟通过程中，这时销售人员一般对顾客都有了一定的了解，这些欧洲经典奢侈品牌的销售人员就会结合顾客的个人情况进行场景描绘。对要买钻戒结婚的女士，他们会说“在婚礼上，当他在众人面前为你戴上这枚TESIRO通灵戒指的那一刻，就意味着你们有了厮守一生的承诺。”而对用于休闲消费的顾客，CHANEL香奈儿则会如此描绘：“像您这样有品位的女士肯定很注重生活品质，周末约上好友一起休闲，CHANEL香奈儿香水让您更能显示出高雅、浪漫的气质。”

4.当顾客欲离开时，销售人员应该抓住这个最后的机会，通常会提高话语的情绪感染力。例如“这枚TESIRO通灵钻饰一定会令她兴奋万分，永远记住今天这个特别的生日。”“他打开ROLEX劳力士盒子的那一刻，心一直会怦怦跳动”等。

你笑，全世界都跟着你笑；你哭，全世界只有你一个人哭。
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启示：“心理体验”是核心
通过这种终端营销策略，ROLEX劳力士、比利时珠宝品牌TESIRO通灵、CHANEL香奈儿等欧洲经典奢侈品牌在中国区市场取得了令人瞩目的成绩。总结他们的情景营销（Scene Marketing）经验，可给其他企业带来了诸多有益的启示。

一、情景营销（Scene Marketing）要以“心理体验”为核心。珠宝、名贵钟表等奢侈品消费不同于一般消费，顾客不仅消费商品本身，更希望借助消费行为来表达和传递某种意义和信息，他们希望表达、传递的内容包括自己的地位、身份、个性、品位、情趣和认同等等。销售人员在运用情景营销的手段时，就需要围绕顾客的这种核心诉求，用富有感情色彩的语句勾勒出美好的图景，以最大程度地满足顾客的心理体验要求。

二、需要逐步激发顾客的想像力。事实上，顾客在决定购买奢侈品之前，就已经对所要购买的商品有了很多的期待。他们在进入专卖店之前，就收集了关于此商品的品牌影响力、售后服务等各种讯息。威廉·詹姆斯认为，“心理学最伟大的发现莫过于我们可以借由改变我们内在的世界而达到改变我们外在的世界。”而销售人员需要特别关注的，就是要在销售的“临门一脚”中运用各种句式，例如：“您有没有感觉到/您看……”，“……像……一样”等话语，一步步激发顾客内心世界的想像力，给顾客以更多的希望。

三、情景营销（Scene Marketing）须“因人而异”。在情景营销的实际运用中，并不是随意的情景描绘都可以激发顾客的想像，无论多好的语言，都不可能适用于每一位顾客，因此是否了解顾客情况与心境至关重要，对情景营销能否成功具有决定性的作用。销售人员应该明白，描绘顾客在拥有珠宝、名贵钟表等奢侈品之后所能享受到的美好生活，帮助顾客实现梦想，这就是场景描绘的内容。

Ⅵ 香奈儿公司的营销策略是什么

香奈儿作为奢侈品，其成功在于近百年的专注、坚持和创新。香奈儿的目标客户是优雅、有消费能力的时尚女性。因为客户聚焦，客户集中，在营销方面，香奈儿就更侧重引领时尚，借助时尚引领消费人群口碑。

从1971年可可?香奈儿去世到20世纪80年代初，香奈儿品牌的主设计师几经更换，但基本上都是让香奈尔服装原地踏步。直到1983年1月卡尔?拉格菲尔德出任香奈儿首席设计师，情况才得以改变。那时候的香奈儿被人称为“睡美人”，虽然受人尊崇，但并不代表她能赚钱。香奈儿品牌需要复苏，卡尔?拉格菲尔德的任务就是唤醒一位“睡去的女人”。

在那个年代，品牌复苏的概念并不存在。但是，卡尔?拉格菲尔德的确用行动诠释了这个概念。卡尔?拉格菲尔德天生充满决心，从来没有苦读或取得任何证书，完全即兴创造。他知道自己不是梦想家，清楚自己想做什么，怎么做。

1984年，卡尔?拉格菲尔德执掌香奈儿第二年，首次推出了高级时装系列。在卡尔?拉格菲尔德看来，每6个月的循环才有意义，因为他爱改变，不留恋任何事物，不能被什么东西牵制。他知道，时尚是短暂、冒险、不公平的。他必须时时刻刻如履薄冰，并在它破裂之前跨出下一步。

为了使香奈儿品牌迅速走出阴霾，卡尔?拉格菲尔德不仅设计香奈儿时装，还兼职香奈儿平面广告摄影，出任香奈儿艺术大片的幕后指导，接受香奈儿跨界合作的邀约。卡尔?拉格菲尔德在接受采访时曾说过：“我只出点子和设计。问题不断在变，我做这行就因为没有一定的答案。”

卡尔?拉格菲尔德不可思议地把两种对立的艺术品感觉统一在设计中，既奔放又端庄。如今，香奈儿品牌的拉格菲尔德版本，色调较为艳丽，裁工则更加高雅素媚，有着融典雅与幻想为一体的特征。

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拉格菲尔德版的香奈儿在高级时装、高级成衣、香水、珠宝首饰、手表、皮制品、化妆、个人护理、服装配件等领域引领了时尚潮流。“香奈儿从服装延伸到配饰、手表、香水，这一做法可以引导和培养潜在消费者。”正略钧策管理咨询合伙人李哲说。

如今，卡尔?拉格菲尔德让香奈儿起死回生，创造了另一个神话。

“可以这么说，如果卡尔?拉格菲尔德让哪个模特红，这个模特一定红，不论这个模特是哪个国家的。”钱丹丹的一席话足以让人们明白，为什么卡尔?拉格菲尔德被称为时装界的“凯撒大帝”。

“上个世纪90年代出现了一些超模，这与卡尔?拉格菲尔德有密切的关系。近几年，迪奥男装的设计师海蒂?斯曼，也是卡尔?拉格菲尔德捧出来的。”张大川说。

“他非常了解服装设计，可以说他是时装江湖的老大。如今香奈儿在全世界的定位跟他是分不开的。很多人认为，香奈儿已经不太偏向于年轻人了，而是偏向拥有消费能力的人。其实，近期香奈儿发布的服装都适合年轻人。对于卡尔?拉格菲尔德这样一个年纪很大的设计师，他能够与时俱进，不放弃原来的东西，把活力注入到服装设计里，让一个古老的品牌年轻化，其实并不容易，因为很多品牌都失败了。”张大川说。

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“香奈儿作为奢侈品，其成功在于近百年的专注、坚持和创新。香奈儿的目标客户是优雅、有消费能力的时尚女性。因为客户聚焦，客户集中，在营销方面，香奈儿就更侧重引领时尚，借助时尚引领消费人群口碑，而不是铺天盖地的广告。”李哲说，“香奈儿不是简单地按照年龄定义目标消费者，而是更关注消费者的生活态度、生活方式、消费欣赏能力。有些奢侈品品牌，虽然在中国业务增长很快，但是由于营销定向、营销方式的原因，变成了‘拥有XX品牌等于拥有财富、有面子’，受到高收入人群的追捧，虽然满足了一部分消费者的炫富需求，但品牌内涵被忽略了。”