香奈兒營銷策略英文

Ⅰ 急求一篇 》》》描述一個公司的營銷策略英文300字。

Market strategies are the result of a meticulous market analysis. A market analysis forces the entrepreneur to become familiar with all aspects of the market so that the target market can be defined and the company can be positioned in order to garner its share of sales. The promotion strategy in its most basic form is the controlled distribution of communication designed to sell your proct or service. In order to accomplish this, the promotion strategy encompasses every marketing tool utilized in the communication effort.
營銷策略廣泛，不能以一言以蔽之。此文中提到前期的市場分析，以及營銷時應該利用各種工具。

Ⅱ zara的市場營銷策略的英文文獻

這些都是國外網站上的，沒有中文翻譯的，看不懂的話試試翻譯器，查查字典什麼的，我要是給你翻譯怕誤導你。

Zara: Cool Clothes Now, Not Later

Ask any urban European female under the age of 30 and chances are she has shopped at Zara, the clothier whose inexpensive but stylish offerings have attracted a cult following. Zara also sells men』s fashions, again aimed at the stylish and youthful.

Mathieu Soto, a college tennis player from France with dark eyes and devastating good looks, was asked to compare Zara to The Gap, the U.S. - based clothing giant with a major presence in Europe. His response: 「I don』t know. I』ve never shopped at The Gap.」

Most U.S. young alts have never shopped at Zara, but that seems likely to change in the near future. In the past five years Zara has grown from 179 stores mostly in Spain to 450 stores in 29 countries including the United States and Canada. Zara now has stores in New York, New Jersey, Miami, and Toronto—with more on the way.

While Zara is unlikely to displace The Gap in the U.S. market, they are certain to offer U.S. consumers an option previously unavailable to them. They have a sound if unusual marketing strategy in which logistics plays an important role. Logistics also plays an important role in Zara』s growth plans, notably its expansion into the U.S. market.

Zara』s Marketing Strategy

Zara』s marketing strategy focuses on proct variety, speed-to-market, and store location. It is also notable for what it excludes. Zara does not advertise in the traditional sense. If you want to find out what』s currently available at the Zara stores you have two options: go to the web site or go to the store. Zara puts 10,000 different items on the store shelves in a single year. It can take a new style from concept to store shelf in 10-14 days in an instry where nine months is the norm. In its primary European markets, Zara locates its stores close together. Visitors comment that Zara in Madrid is like Starbucks in a major U.S. city—you see another store on every street corner.

Zara』s Toronto store is located just north of the center of downtown in a major shopping district dense with malls and lined with stand-alone stores and giant office buildings. The potential for intense competition is clear.

「These office buildings are full of the people we want as customers. We want them to stop in at lunch or after work. We want to see them often, so we have to change what we have on the shelves,」 said Zara』s Toronto store manager. 「They could shop in a lot of other stores, so we have to make it worth their time to come here.」

This also helps explain why the company does not advertise. If a Zara customer wants to know what Zara has, he or she must go to the store. The stock changes often, with most items staying on the shelf for only a month, so the customer often finds something new and appealing. By the same token, if the customer finds nothing to buy this visit, the store』s regular customers know that tomorrow or next week—sometime soon—new goods will be on Zara』s shelves. That makes it worth another visit.

Zara relies heavily on store employees for market information. If a customer looks at a sweater and comments, 「That would look really nice with a cowl collar,」 an employee can relay that information to Spain where managers decide whether or not to proce the suggested item. If they decide to make it, they can put it on the shelf in Toronto in two weeks or less, partly because they ship by air. Ocean shipping would add at least another ten days to the time it takes to get the proct in front of the customer, undermining the speed-to-market and proct variety strategy.

The Role of Logistics
Putting the variety of goods on the shelves in Toronto and other North American stores requires an unusual, though not unique, logistics strategy for the fashion instry. Zara air expresses goods from its single distribution center in Spain, usually in small quantities. In the 1970』s, The Limited used a similar strategy to support its test marketing, air expressing small quantities of new styles from Asia to U.S. stores. In Zara』s strategy, however, the speedy shipments are part of the core strategy, not just test marketing. Zara also ships frequently, allowing lower inventories while serving its multinational market from a single distribution center in Spain.

「We receive shipments o n Tuesday and Saturday, which means that we have different items in the store at least twice a week. While each shipment replenishes items that sell well, each also includes new items. That』s why our customers come in often,」 the Toronto store manager said. 「We might get ten of one item and five of another. We』re constantly testing.」

The density of Zara』s store locations in Europe helps achieve logistics efficiencies. They can fill trucks for frequent shipment in markets close to proction and ship larger quantities by air to more distant stores. Zara keeps transportation costs low on the supply side, since most of the proction takes place in Spain. This contrasts radically to most large fashion manufacturers, which rely on low cost manufacturing in Asia and South America, but then pay higher inventory costs and move goods to market more slowly.

The air express strategy also allows Zara to maintain a multinational market presence with only one distribution center. They trade higher transportation costs for lower warehousing and inventory costs. Add to this the idea that fast transportation
supports the proct-innovation strategy that is the heart of Zara』s marketing, and the importance of logistics in Zara』s marketing strategy is clear.

The Results and the Future

Zara』s parent company, Inditex, reached $2.7 billion in 2001 revenue. This made it the fastest growing clothing manufacturer in the world. Zara, Inditex』s fastest growing division, turns its inventory twice as fast as major competitors, with an inventory-to-sales of 7% compared to an instry average of 14%. Their profitability in European operations (15%) is fifty percent higher than that of its major competitors. Zara manufactures 80% of its clothing in Europe, with most of the remaining 20% is sourced in Mexico.

While top managers are understandably closed-mouthed about their plans, Zara seems ideally positioned to penetrate the U.S. market in a major way. With some manufacturing already in Mexico, they could easily open a second distribution center aimed directly at the U.S. market. This would make their youth-oriented styles widely available in the world』s most lucrative market.

Question 1 – Zara』s Business Model and Competitive Analysis

Zara, the most profitable brand of Inditex SA, the Spanish clothing retail group, opened its first store in 1975 in La Coruña, Spain; a city which eventually became the central headquarters for Zara』s global operations. Since then they have expanded operations into 45 countries with 531 stores located in the most important shopping districts of more than 400 cities in Europe, the Americas, Asia and Africa. Throughout this expansion Zara has remained focused on its core fashion philosophy that creativity and quality design together with a rapid response to market demands will yield profitable results. In order to realized these results Zara developed a business model that incorporated the following three goals for operations: develop a system the requires short lead times, decrease quantities proced to decrease inventory risk, and increase the number of available styles and/or choice. These goals helped to formulate a unique value proposition: to combine moderate prices with the ability to offer new clothing styles faster than its competitors. These three goals helped to shape Zara』s current business model.

Zara』s Business Model
Zara』s business model can be broken down into three basic components: concept, capabilities, and value drivers. Zara』s fundamental concept is to maintain design, proction, and distribution processes that will enable Zara to respond quickly to shifts in consumer demands. José María Castellano, CEO of Inditex stated that "the fashion world is in constant flux and is driven not by supply but by customer demand. We need to give consumers what they want, and if I go to South America or Asia to make clothes, I simply can't move fast enough." This highlights the importance of this quick response time to Zara』s operations.

Capabilities of Zara, or the required resources needed to exploit the opportunities and execute this conceptual strategy, are numerous for Zara. Zara maintains tight control over their proction processes keeping design and manufacturing in-house or with some strategic partnerships located nearby Headquarters. Currently, Zara maintains 80% of its proction processes in Europe, 50% in Spain which is very close to La Coruña headquarters. They have strategic agreements with local manufacturers that ensure timely delivery and service. Through these strategic partnerships and the benefits brought by this proximity of manufacturing and operational processes, Zara maintains the flexibility necessary to design and proce over 12000 new items annually. This capability allows Zara to achieve their strategy of expedited response to consumer demand.

Value drivers for Zara are both tangible and intangible in the benefits that are returned to all stakeholders. Tangibly, Inditex, the parent company of Zara, has 11.02% net margin on operations and their market capitalization (Equity – market value) is

Ⅲ 香奈爾的營銷戰略

香奈兒作為奢侈品，其成功在於近百年的專注、堅持和創新。香奈兒的目標客戶是優雅、有消費能力的時尚女性。因為客戶聚焦，客戶集中，在營銷方面，香奈兒就更側重引領時尚，藉助時尚引領消費人群口碑。

(3)香奈兒營銷策略英文擴展閱讀：

營銷戰略目的：

1、推銷是一對一的，營銷是一對多的；

2、推銷就是把產品賣好，營銷是讓產品好賣。

目的：顧客不買的時候會記得你，要買的時候想起你。一句話就是：「建立起客戶對你的產品認識」。讓顧客熟悉你，這就是為什麼這么多的廣告在拚命的播、拚命的砸錢。也許有人會問砸錢也沒有人買呀，其實不是，這是一種建立客戶認識的過程，讓產品變得好賣的一個過程。

營銷理論上主要有四種營銷競爭策略：

1、直接與競爭對手競爭；這種策略主要適用於本企業具備較強的競爭實力，行業中企業實力相當或本企業實力上略占優勢的情況，對於企業的要求當然也很高；

2、使競爭對手難以反擊；即採用一些措施、手段是競爭對手還來不及做出反應就處於失敗或被動、劣勢的地位，對於企業的策略，創新性，技術性等要求都很高，現實中可行性也有待考慮；

3、不戰而勝的競爭策略；主要是採用一些迫使對方投降、讓步的策略方式，採取一些競爭手段，逼迫對方作出退出該領域或行業的手段來，要根據行業特點和具體情況而定；

4、與競爭對手合作的策略。這種方式比較可行，對於實力相當而求得共同發展的企業來說都是一劑良葯，既可以求得雙贏，又能增進合作，實現企業盈利。

Ⅳ Chanel英文介紹

姓名及一產生: 綜合介紹
The House of Chanel, more commonly known as Chanel, is a Parisian fashion house in France founded by Coco Chanel (b.1883 - d.1971). According to Forbes, the privately held House of Chanel is jointly owned by Alain Wertheimer and Gerard Wertheimer who are the grandchildren of the early (1924) Chanel partner Pierre Wertheimer.

Chanel歷史:
Chanel (pronounced Shanel) revolutionized haute couture fashion by replacing the traditional corseted silhouette with the comfort of simple suits and long, lean dresses. She introced to the world her signature cardigan jacket in 1925. She had numerous other major successes that changed the fashion instry including the ever popular "'Chanel suit'", composed of a knee-length skirt and trim, boxy jacket, traditionally made of woven wool with black sewing trim and gold buttons, worn with large costume-pearl necklaces. The hem of the suit is weighted down with a chain. Wealthy women around the world began to flock to her 31 Rue Cambon boutique to commission couture outfits from her. The House of Chanel became an icon of elegance and from then on, the name 「Chanel」 became synonymous with elegance, wealth, and elitism, as well as the ultimate sign of French high class.

After the phenomenal success of her perfume, No. 5, Coco Chanel's fashions became even more well-known and were purchased by the high flyers of London and Paris society alike. Chanel took to living at the Hôtel Ritz Paris, and her suite of residence has become famous and is now named the "Coco Chanel Suite."

Chanel is also known for its quilted fabric which also has a "secret" quilting pattern sewn at the back to keep the material strong. It was inspired by the jackets of jockeys. This material is used for clothing and accessories alike. The brand is now headed by German-born designer Karl Lagerfeld, who also designs for the House of Fendi, as well as his namesake label.

更多歷史:
The Coco Chanel Era
Coco Chanel, founder of the House of Chanel, began her fashion career in 1910. She heralded new designs and revolutionized the fashion instry by going 「back to basics,」 incorporating elegance, class, and originality. Under her tight reign from 1909-1971, Coco Chanel held the title as 『Chief Designer』 until her death on January 10, 1971.

[edit] 1909-1932
In 1909, Chanel opened a millinery shop, under the name of 『Chanel Modes』, at 21 Rue Cambon in Paris. Her hats were worn by famous French actresses who helped establish her reputation. Chanel introced in 1913 women』s sportswear at her new boutique in Deauville, France. Her line of jersey clothing was a reaction to the lifestyle changes surrounding WWI. Coal was scarce and women were taking on factory jobs in the men's stead. They needed warm clothing that would stand up to working conditions. Her clothes of this time period were also greatly affected by the relatively new idea of women's sports. Chanel has continued in that trend, procing sports clothing, accessories, and equipment even more so today.

Her fashion became known in 1915 throughout France for prioritising freedom of movement by not featuring ostentation and rendancy in her designs. She affirmed the House』s style of authentic, fluid and comfortable lines. She then opened her first couture house in Biarritz, France, to introce her other fashion lines.

Chanel Headquarters, Place Vendôme, Paris.1921 saw the introction of her first perfume Chanel No. 5. It was internationally popular with women of high society in particular. 「La Société des Parfums Chanel" was founded in 1924 to proce and sell perfumes and beauty procts. Reportedly, the signature scent was a result of her belief in superstitions. She was scheled to show her collection on the fifth day of the fifth month. [1]

The first Chanel costume jewelery collection was introced in 1924. Harper』s Bazaar described it as 「one of the most revolutionary designs of our time.」[citation needed]

In 1926, Chanel introced the 『little black dress,』 greeted by Vogue as the 『new uniform of the modern woman.』 That same year, Chanel introced the classic tweed. Inspired by visits to Scotland with the Duke of Westminster, Chanel created her first tweed suits.

Chanel premiered an exhibition of jewelery in 1932 dedicated to the diamond. Several of the pieces, including the 『Comet』 and 『Fountain』 necklaces were re-introced by Chanel in 1993.

[edit] 1935-1981
In 1939, she retired from fashion design and closed her popular couture house. Only her perfumes and accessories were sold at Chanel』s boutiques.

Coming out of fashion retirement at the age of 71, Chanel re-opened the couture house in 1954. Her first show received international acclaim, with her signature jersey suit being introced that bore her favourite number: 5. In February 1955, Chanel introced the quilted bag with the shoulder strap, named the 2.55 bag after the month and year of its creation. That same year, Chanel launched her first eau de toilette for men, Pour Monsieur.

In 1957 at the Fashion Awards in Dallas, Chanel and her spring collection received the Fashion Oscar. The fashion world applauded her as the 『most influential designer of the twentieth century.』

On January 10, 1971, Coco Chanel died, ending an era of revolutionary fashion that would still be the classic model fashion designers today find inspiration in.

However, her influence did not pass with her death. Other posthumous projects came to light a few years later. In 1974, the House of Chanel launched Cristalle eau de toilette, which was in the workings when Coco Chanel was alive. 1978 saw the launch of the first non-couture, prêt-à-porter line and worldwide distribution of accessories. In 1981, Chanel launched a new eau de toilette for men, Antaeus.

商標樣式分析以及含義:
The Chanel logotype is an interlocking double-C, one facing forwards the other facing backwards. (Originally it was not a logo that Coco Chanel came up with) This derives from the name Coco Chanel. "Coco" is the nickname frequently used by Chanel founder, Gabrielle Chanel. The logotype was not trade-marked until ring the first openings of Chanel stores.

Chanel is currently dealing with illegal use of the double-C logotype on cheaper goods, especially counterfeit handbags. Countries said to be procing great numbers of counterfeit Chanel handbags are Vietnam, Thailand, and China. An authentic Chanel handbag retails from around $1,500, while a counterfeit usually costs around $100, creating a demand for the signature style at a cheaper price. All authentic Chanel handbags are serialised.

Chanel手錶:
Creative Director at Chanel Jacques Helleu followed Coco Chanel's credo, having designed the first Chanel watch named 'Premiere' in 1987. The first model of the Chanel J12 watches line was introced in 2000.

In 2005, Chanel designers introced the J12 line into the area of Fine Jewelry timepieces - they developed the jewelry watch that was equipped with the tourbillon. Chanel asked experienced Swiss watchmakers to develop the exclusive 'CHANEL O5-T.1' movement.

In 2006, the line was joined by Chanel J12 Haute Joaillerie set with 597 baguette-cut diamonds, followed by the creation of the Chanel J12 Tourbillon Haute Joaillerie. In 2007, Chanel launched its first J12 GMT model.

In 2008, Chanel initiated the partnership with Audemars Piguet, having developed the 'J12 calibre 3125', equipped with an innovative automatic movement - CHANEL AP - 3125, the fusion of the AP 3120 movement and Chanel 'J12' ceramic.[2]

Ⅳ 求關於香奈兒香水的國際營銷策略文章一篇．

在奢侈品的銷售過程中，歐洲經典品牌勞力士、比利時珠寶品牌TESIRO通靈、CHANEL香奈兒如何在終端運用情景營銷（Scene Marketing）策略呢？

設計不同場景

在實際的營銷過程中，歐洲奢侈品牌的銷售人員一般會通過詢問，了解顧客購買產品的原因，並分析各類產品對主體消費者而言意味著什麼。再從這些出發點根據顧客的實際需要進行場景描繪。

對奢侈品品牌而言，在顧客到來前，他們已經清晰地分析出這些物品對主體消費者的誘因是什麼。（如下表）

「場景描繪」即是從這些點出發進行傳遞的。銷售人員一般使用以下三個句型，「您有沒有感覺到/您看……」「當……時候……」「……像……一樣」，這些場景的設計一般和符合消費者身份的某個場景緊密相連。

在比利時珠寶品牌TESIRO通靈店內，購買鑽飾的年輕夫婦會聽到類似的情景描述：「您看，這枚TESIRO通靈的戒指來自鑽石王國比利時，它款式簡潔，兩股線條纏繞於指尖，您有沒有感覺到它非常適合您的手型？」「當您和朋友在一起的時候，歐洲經典鑽石品牌可以襯托出您身上的高貴氣質和不凡的品位，讓您備受矚目，更重要的是，它是你們美滿未來的永恆信物。」而來購買鑽飾的男士，銷售人員則會介紹：「您看，這枚歐洲經典品牌的鑽戒，和您的身份和地位正吻合，擁有它就是您事業成功的象徵」等等。已婚女性，在這聽到的情景描繪又會有很大的不同，通常和家庭美滿、對浪漫時光的重溫等有關。

同樣，ROLEX勞力士和CHANEL香奈兒的消費者，因其身份不同，聽到的情景描述也相差很大。購買ROLEX勞力士的年輕男士可能會被告知：「專業、精準是ROLEX勞力士的追求，當您戴上它到公司的時候，可以體現出您能夠掌控每一分鍾的專業素質。」中年男士常會聽到「ROLEX勞力士是成功人士的象徵，當您戴上ROLEX勞力士出席會議的時候，自然會散發出王者的氣息，讓人傾慕不已。」

針對年輕女性，CHANEL香奈兒的銷售人員會從追求簡潔、精美、突破傳統、追求個性的角度來設計場景，例如：「當您在周末舞會中翩翩起舞的時候，CHANEL香奈兒會讓您展現出唯美、個性十足的一面」。而對已婚女性而言，他們銷售人員設計的場景中則會有更多的關於「激情，絕對女性的」的內涵。

激發想像力

在情景營銷（Scene Marketing）中，僅僅掌握好語言的表達方式還遠遠不夠，更重要的是，銷售人員還需要把售賣的奢侈品和顧客的需求有機地聯系起來，並想像出一幅有趣的、具體的、能打動人心的圖畫。然後把這幅圖畫像放電影一樣有聲有色地描繪給你的顧客聽。在「放電影」之前，銷售人員首先需要做好消費者的消費動因分析工作，然後把握好顧客進店、介紹產品、深入溝通、顧客離開等四個主要的時機，才能最大限度的發揮情境營銷的效用。

1.當顧客進入店內，有產品吸引住他們的目光時，銷售人員應該把顧客和產品有機地聯系起來，激發顧客的想像力。例如，在比利時珠寶品牌TESIRO通靈的專賣店內，他們的銷售人員會這樣告訴顧客：「TESIRO通靈飾品由全球頂級的義大利時尚設計師設計，您看到的這枚鑽石吊墜秉承國際最新的設計理念，您戴在胸前會顯得時尚、嫵媚動人。」而在CHANEL香奈兒，顧客則會聽到類似的描述：「CHANEL香奈兒香水充滿了現代氣息，可以讓像您這樣的女士散發出迷人的魅力。」

2.在介紹產品時，銷售人員開始重點介紹產品的品牌價值，讓消費者對這個品牌產生直觀、深入的了解。例如：「TESIRO通靈是比利時鑽石品牌，您在參加PATY活動的時候佩戴這枚鑽飾，將使您充滿高貴與優雅的氣息，國際品牌將使您更加自信。」ROLEX勞力士的銷售人員則會如此介紹：「勞力士擁有超卓的工藝與技術，一直保持在手錶業的翹楚地位。您擁有它，就等於在商務活動中擁有了一件代表實力的身份證明。」

3.與顧客深入溝通過程中，這時銷售人員一般對顧客都有了一定的了解，這些歐洲經典奢侈品牌的銷售人員就會結合顧客的個人情況進行場景描繪。對要買鑽戒結婚的女士，他們會說「在婚禮上，當他在眾人面前為你戴上這枚TESIRO通靈戒指的那一刻，就意味著你們有了廝守一生的承諾。」而對用於休閑消費的顧客，CHANEL香奈兒則會如此描繪：「像您這樣有品位的女士肯定很注重生活品質，周末約上好友一起休閑，CHANEL香奈兒香水讓您更能顯示出高雅、浪漫的氣質。」

4.當顧客欲離開時，銷售人員應該抓住這個最後的機會，通常會提高話語的情緒感染力。例如「這枚TESIRO通靈鑽飾一定會令她興奮萬分，永遠記住今天這個特別的生日。」「他打開ROLEX勞力士盒子的那一刻，心一直會怦怦跳動」等。

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啟示：「心理體驗」是核心
通過這種終端營銷策略，ROLEX勞力士、比利時珠寶品牌TESIRO通靈、CHANEL香奈兒等歐洲經典奢侈品牌在中國區市場取得了令人矚目的成績。總結他們的情景營銷（Scene Marketing）經驗，可給其他企業帶來了諸多有益的啟示。

一、情景營銷（Scene Marketing）要以「心理體驗」為核心。珠寶、名貴鍾表等奢侈品消費不同於一般消費，顧客不僅消費商品本身，更希望藉助消費行為來表達和傳遞某種意義和信息，他們希望表達、傳遞的內容包括自己的地位、身份、個性、品位、情趣和認同等等。銷售人員在運用情景營銷的手段時，就需要圍繞顧客的這種核心訴求，用富有感情色彩的語句勾勒出美好的圖景，以最大程度地滿足顧客的心理體驗要求。

二、需要逐步激發顧客的想像力。事實上，顧客在決定購買奢侈品之前，就已經對所要購買的商品有了很多的期待。他們在進入專賣店之前，就收集了關於此商品的品牌影響力、售後服務等各種訊息。威廉·詹姆斯認為，「心理學最偉大的發現莫過於我們可以藉由改變我們內在的世界而達到改變我們外在的世界。」而銷售人員需要特別關注的，就是要在銷售的「臨門一腳」中運用各種句式，例如：「您有沒有感覺到/您看……」，「……像……一樣」等話語，一步步激發顧客內心世界的想像力，給顧客以更多的希望。

三、情景營銷（Scene Marketing）須「因人而異」。在情景營銷的實際運用中，並不是隨意的情景描繪都可以激發顧客的想像，無論多好的語言，都不可能適用於每一位顧客，因此是否了解顧客情況與心境至關重要，對情景營銷能否成功具有決定性的作用。銷售人員應該明白，描繪顧客在擁有珠寶、名貴鍾表等奢侈品之後所能享受到的美好生活，幫助顧客實現夢想，這就是場景描繪的內容。

Ⅵ 香奈兒公司的營銷策略是什麼

香奈兒作為奢侈品，其成功在於近百年的專注、堅持和創新。香奈兒的目標客戶是優雅、有消費能力的時尚女性。因為客戶聚焦，客戶集中，在營銷方面，香奈兒就更側重引領時尚，藉助時尚引領消費人群口碑。

從1971年可可?香奈兒去世到20世紀80年代初，香奈兒品牌的主設計師幾經更換，但基本上都是讓香奈爾服裝原地踏步。直到1983年1月卡爾?拉格菲爾德出任香奈兒首席設計師，情況才得以改變。那時候的香奈兒被人稱為「睡美人」，雖然受人尊崇，但並不代表她能賺錢。香奈兒品牌需要復甦，卡爾?拉格菲爾德的任務就是喚醒一位「睡去的女人」。

在那個年代，品牌復甦的概念並不存在。但是，卡爾?拉格菲爾德的確用行動詮釋了這個概念。卡爾?拉格菲爾德天生充滿決心，從來沒有苦讀或取得任何證書，完全即興創造。他知道自己不是夢想家，清楚自己想做什麼，怎麼做。

1984年，卡爾?拉格菲爾德執掌香奈兒第二年，首次推出了高級時裝系列。在卡爾?拉格菲爾德看來，每6個月的循環才有意義，因為他愛改變，不留戀任何事物，不能被什麼東西牽制。他知道，時尚是短暫、冒險、不公平的。他必須時時刻刻如履薄冰，並在它破裂之前跨出下一步。

為了使香奈兒品牌迅速走出陰霾，卡爾?拉格菲爾德不僅設計香奈兒時裝，還兼職香奈兒平面廣告攝影，出任香奈兒藝術大片的幕後指導，接受香奈兒跨界合作的邀約。卡爾?拉格菲爾德在接受采訪時曾說過：「我只出點子和設計。問題不斷在變，我做這行就因為沒有一定的答案。」

卡爾?拉格菲爾德不可思議地把兩種對立的藝術品感覺統一在設計中，既奔放又端莊。如今，香奈兒品牌的拉格菲爾德版本，色調較為艷麗，裁工則更加高雅素媚，有著融典雅與幻想為一體的特徵。

《長松組織系統》工具包——建立科學營銷方案、營銷品牌等等。提高客戶忠誠度的秘密武器！

拉格菲爾德版的香奈兒在高級時裝、高級成衣、香水、珠寶首飾、手錶、皮製品、化妝、個人護理、服裝配件等領域引領了時尚潮流。「香奈兒從服裝延伸到配飾、手錶、香水，這一做法可以引導和培養潛在消費者。」正略鈞策管理咨詢合夥人李哲說。

如今，卡爾?拉格菲爾德讓香奈兒起死回生，創造了另一個神話。

「可以這么說，如果卡爾?拉格菲爾德讓哪個模特紅，這個模特一定紅，不論這個模特是哪個國家的。」錢丹丹的一席話足以讓人們明白，為什麼卡爾?拉格菲爾德被稱為時裝界的「凱撒大帝」。

「上個世紀90年代出現了一些超模，這與卡爾?拉格菲爾德有密切的關系。近幾年，迪奧男裝的設計師海蒂?斯曼，也是卡爾?拉格菲爾德捧出來的。」張大川說。

「他非常了解服裝設計，可以說他是時裝江湖的老大。如今香奈兒在全世界的定位跟他是分不開的。很多人認為，香奈兒已經不太偏向於年輕人了，而是偏向擁有消費能力的人。其實，近期香奈兒發布的服裝都適合年輕人。對於卡爾?拉格菲爾德這樣一個年紀很大的設計師，他能夠與時俱進，不放棄原來的東西，把活力注入到服裝設計里，讓一個古老的品牌年輕化，其實並不容易，因為很多品牌都失敗了。」張大川說。

《長松組織系統》工具包——建立科學營銷方案、營銷品牌等等。提高客戶忠誠度的秘密武器！

「香奈兒作為奢侈品，其成功在於近百年的專注、堅持和創新。香奈兒的目標客戶是優雅、有消費能力的時尚女性。因為客戶聚焦，客戶集中，在營銷方面，香奈兒就更側重引領時尚，藉助時尚引領消費人群口碑，而不是鋪天蓋地的廣告。」李哲說，「香奈兒不是簡單地按照年齡定義目標消費者，而是更關注消費者的生活態度、生活方式、消費欣賞能力。有些奢侈品品牌，雖然在中國業務增長很快，但是由於營銷定向、營銷方式的原因，變成了『擁有XX品牌等於擁有財富、有面子』，受到高收入人群的追捧，雖然滿足了一部分消費者的炫富需求，但品牌內涵被忽略了。」